Works / Moving Image

The Reframe Series

Selected time-based works composed through color, light, motion, and the accumulation of time.

005

Reframe 005 Series

The Reframe 005 Series unfolds within a single, continuous shot, where an image slowly rotates and transforms, quietly recalibrating the relationship between form and color over time. Outlined contours and the flattened, graphic quality of the color planes move alongside a sense of three-dimensional motion, creating a distinctive distance within the frame. At moments, the composition does not resolve toward the center; instead, broad fields of black negative space remain as part of the image’s premise. The bordering lines further intensify the work’s planar character, and the piece preserves as its core the subtle tremor at the boundary where depth-driven movement and the screen as a surface press against one another.

2020 (reworked 2026) / Single-channel video / Color / 1 min 30 sec / 4K (3840 × 2160) / 24 fps / Sound: none / Edition: 5 + 2 AP / Created with TouchDesigner and Adobe After Effects

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004

Reframe 004 Series

The Reframe 004 is a series that begins with the “slow change” contained within a single image, then rearranges the flow of time itself—reframing it as a visible structure. By layering subtle distortions and tremors onto a master image that continues to move gently, the image gradually shifts its contours and starts to loosen its ties to what it depicts. Over time, the work releases a narrative reading of events, bringing forward strata of color, bleeding edges, and differences in density. As a result, the process of change itself rises into view—forming a space in its own right.

2020 (reworked 2026) / Single-channel video / Color / 1 min 30 sec / 4K (3840 × 2160) / 24 fps / Sound: none / Edition: 5 + 2 AP / Created with Adobe After Effects

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003

Reframe 003 Series

The Reframe 003 is a series that reconstructs the time contained within a single master image by shifting and layering it as thin strata. Slightly desaturated, semi-transparent fragments accumulate, and the original footage releases its contours as an “event,” rising instead as traces of lines and planes—and as density. By introducing new effects, the image further detaches from its referent, bringing the structure itself into the foreground. Rather than following it as a sequence of changes, I invite you to encounter it as a “flat surface that contains time,” and to pause with the traces that emerge as lines and with the density that settles across the screen.

2019 (reworked 2025) / Single-channel video / Color / 1 min 30 sec / 4K (3840 × 2160) / 24 fps / Sound: none / Edition: 5 + 2 AP / Created with Adobe After Effects

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002

Reframe 002 Series

The Reframe 002 Series reconstructs previously created abstract moving-image works by layering frames shifted by only a few pixels. Continuing the method developed in Reframe 001, the compressed accumulation of time emerges not only as lines and densities, but also as structural elements—divisions, intersections, and subtle “steps” within the image. Rather than settling into a uniform grid, the composition changes with each way the frames overlap: planes split and rejoin, rhythms form, the visual center of gravity drifts, and spaces of pause and tension appear. Although it is video, I invite you not to follow it as a sequence of changes, but to encounter it as a “painting with a time axis,” lingering with the traces that surface as structure and with the overall density of the image.

2019 (reworked 2025) / Single-channel video / Color / 1 min 30 sec / 4K (3840 × 2160) / 24 fps / Sound: none / Edition: 5 + 2 AP / Created with Adobe After Effects

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001

Reframe 001 Series

This series reconstructs previously created abstract moving-image works by layering frames that are shifted by just a few pixels. The resulting accumulation—like a compression of time—emerges on the screen as lines and densities, transforming the original footage into a new abstraction. Although it is video, I invite you not to follow it as a sequence of changes, but to encounter it as a “painting with a time axis,” lingering with the traces that rise as lines and with the overall density of the image.

2019 (reworked 2025) / Single-channel video / Color / 1 min 30 sec / 4K (3840 × 2160) / 24 fps / Sound: none / Edition: 5 + 2 AP / Created with Adobe After Effects

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